![]() In its Devil May Cry style combat, button presses may only form combos if they are timed precisely to the beat as well. ![]() The music determines the flow of both combat and movement in Hi-Fi Rush, with Chai’s every step coinciding with the beat as players navigate through its winding levels and moving bridges. Not only is the game’s core cast a chorus of people with disabilities, but they end up far stronger than they would be otherwise. Chai’s disability, beyond providing a setup for the game’s inciting incident, is far from a piece of idle representation. With a literal song in their heart, courtesy of a misplaced MP3 player during surgery, players are in full control of Chai (Robbie Daymond), a wannabe rockstar with a disability and newly-acquired robotic arm. ![]() Tango Gameworks’ new title Hi-Fi Rush pushes that idea to its logical extreme as an action game that harmonizes with all of the mechanics and design of a rhythm game as well.Īs soon as players begin to hear the introductory beats of Reo Uratani’s incredible diegetic soundtrack, as well as tracks from a myriad of popular bands, they’re instantly given a throwback to the likes of Smilebit’s Jet Set Radio, with a cel-shaded art style and simple character designs in verse with design sensibilities of years past. If a player cannot keep time with a combo in a fighting game, or follow the rhythm of gameplay in an adventure or first person shooter title, then they will be unable to succeed. There was a much disagreed upon idea set forth a few years ago that all games are, at their core, rhythm games. ![]()
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